资料来源：

https://dominiquemoulon.com/en/exhibitions.html

https://derivative.ca/community-post/tidal-echoes/69933

https://l-ai.agoria.dev/

https://daily.xyz/artwork

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从摄影技术的百年演变到生成式AI的爆发，人类始终在验证：发明的真正价值在于社会化应用。

From the century - long evolution of photography technology to the explosion of generative AI, humanity has been constantly verifying that the true value of an invention lies in its social application.

当算法能解析诗性语言、从万亿数据中召唤图像，叙事权已从专业领域转向全民创作......这并非意味着艺术消亡，而是催生了新型创作方式——艺术家通过无限迭代的图像序列逼近永恒，在机械复制的时代重构独创性。

When algorithms can analyze poetic language and conjure images from trillions of data, the narrative power has shifted from the professional realm to mass creation... This doesn't mean the demise of art. Instead, it has given rise to a new mode of creation. Artists approach eternity through infinitely iterative image sequences, reconstructing originality in the age of mechanical reproduction.

此刻我们见证的，不是视觉生产力的颠覆，而是一场重塑认知维度的想象力觉醒。

What we are witnessing at this moment is not a subversion of visual productivity, but an awakening of imagination that reshapes the dimension of perception.

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关于Dominique Moulon

“我们生活在一个人们发自内心地渴望将世界具象化的时代。

We live in an age in which the deepest desire is to materialise the world.”

多米尼克・穆隆（Dominique Moulon），一位艺术评论家兼独立策展人。他曾在布尔日的国立高等美术学院（ENSA）研习视觉艺术，并拥有艺术与艺术科学博士学位。他是本次人工智能行动峰会的策展人。

Art critic and independent curator Dominique Moulon studied visual art at the fine art school ENSA in Bourges and holds a PhD in Arts and sciences of the art. He is the curator of this Artificial Intelligence Action Summit.

作为法国策展人协会（CEA）以及柏林数字艺术博物馆的成员，他曾为位于阿屈埃伊、欧比松、布鲁塞尔、勒布尔热、杭州、伊斯坦布尔、蒙特勒伊、巴黎、首尔、威尼斯等地的艺术中心、画廊和展会策展，亦为 Approche、Cifra 和 Danae 等线上平台进行策展。自2015年起，他还担任大巴黎地区尼莫国际数字艺术双年展的联合策展人。

Member of the French curator association (CEA) and Berlin's Digital Art Museum, he has been curator for art centers, galleries and fairs in Arcueil, Aubusson, Brussels, Le Bourget, Hangzhou, Istanbul, Montreuil, Paris, Seoul, Venice and online for Approche, Cifra and Danae. Since 2015, he has also been associate curator of the Nemo international digital arts biennial of the greater Paris.

作为国际艺术评论家协会（AICA）的成员，他为多部合著书籍、展览图录以及艺术杂志撰写了大量文章。目前，他与《艺术新闻》（Art Press）和 TK - 21 展开合作，在《数字时代的艺术》上发表作品，并负责协调慕课 “数字巴黎”。他还是《当代新媒体艺术》（2011 年）、《艺术与数字共鸣》（2015 年）、《超越数字的艺术》（2018 年）以及《21 世纪杰作》（2021 年）等书籍的作者。

Member of the International association of art critics (AICA), he has written numerous articles for collective books, exhibition catalogs and art magazines. He currently collaborates with Art Press and TK-21, publishes on Art in the Digital Age and coordinates the MOOC Digital Paris. He is also the author of the books Contemporary New Media Art (2011), Art and Digital Resonating (2015), Art Beyond Digital (2018) and Masterpieces of the 21st Century (2021).

多米尼克・穆隆曾在巴黎第八大学和巴黎索邦大学任教，还曾在巴黎帕森斯设计学院和芝加哥艺术学院担任客座教授，并在欧洲、非洲、美洲和亚洲讲学，同时他还是 “混合艺术与数字文化”（HACNUM）组织的成员。

Dominique Moulon has taught at Paris VIII and Panthéon-Sorbonne universities, been a guest professor at the Parsons School of Design in Paris and the School of the Art Institute of Chicago, lectured in Europe, Africa, America, Asia and is a member of the Hybrid Arts and Digital Cultures (HACNUM).

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人工智能峰会

AI Action Summit

时间：2025 年2月10 日至11日

Time: February 10th - 11th, 2025

地点：大皇宫

Location:Grand Palais, Paris

为纪念人工智能行动峰会及同期的人工智能行动周，法国文化部与欧洲和外交部密切合作，策划了一项文化活动，该活动在一个文化周开展，吸引了6000多名法国及国际游客。

To mark the AI Action Summit and the accompanying AIAction Week,a cultural programme has been drawn up,in close cooperation between the Ministry of Culture and Ministry for Europe and Foreign Affairs.

在文化周后，即2月10日至2月11日，13件作品在大皇宫展出，为国际嘉宾展示来自世界各地的ai创意。

After the Culture Week, from February 10th to February 11th, 13 artworks were exhibited at the Grand Palais, showcasing AI - inspired creativity from around the world to international guests.

本次峰会旨在以可持续为原则，为人工智能建立科学基础、解决方案和标准，促进集体进步，并要求符合公众利益。15 位艺术家（8 位女性和 7 位男性）围绕这些主题，利用ai展现了能够化为现实的奇妙幻想。一些艺术家将在峰会期间现身，讲述他们在人工智能时代的创作过程。

This summit aims to establish a scientific foundation, solutions, and standards for artificial intelligence based on the principle of sustainability, promote collective progress, and serve the public interest. Fifteen artists (8 women and 7 men) have utilized AI to showcase wonderful fantasies that can be turned into reality, centered around these themes. Some of the artists will be present during the summit to share their creative processes in the age of artificial intelligence.

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Tidal Echoes

《潮汐回声》是一件沉浸式艺术装置，它将抽象视觉与实地录音相结合，旨在捕捉海滨景观的精髓。

Tidal Echoes is a immersive installation that blends visual abstraction with real field recordings , aiming to capture the essence of the seaside landscape .

受印象派画家的启发，米尔科娃运用生成式创作手法，打造出不断变化、让人联想到海浪的视觉效果。每一个视觉元素都通过复杂算法精心构建，营造出海洋环境流畅且充满动感的呈现。这件装置作品的核心在于，它能够唤起人们对大海的想象，并重新定义其视觉边界。

Inspired by Impressionist painters . Milkorva employs generative processes to create ever - evolving visuals reminiscent of ocean waves . Each visual element is meticulously crafted through complex algorithms , creating a fluid and dynamic representation of the marine environment . The installation ' s core lies in its ability to evoke mental imagery of the sea and redefine its visual boundaries

米尔科娃与音效工程师保罗・库斯涅雷克合作，将在海边实地录制的声音融入装置，带来一种音感交互体验。视觉效果的强度与动态变化，与声音的层次直接相关，实现了具象与抽象的和谐融合。

In collaboration with sound engineer Paul Kusnierek , sounds captured during a seaside field recording session are integrated into the installation , giving rise to an audio - reactive experience . The intensity and movement of the visuals directly correlate with the layers of sound , creating a harmonious fusion of the figurative and the abstract .

尽管《潮汐回声》具有抽象性，但它通过色彩、动态及伴音成功唤起人们对海洋的印象，为观众带来仿若亲眼目睹大海的强烈错觉。

Despite its abstract nature , Tidal Echoes manages to evoke the ocean through color , movement . and accompanying ndsofferingviewers a striking illusion of witnessing the sea .

通过生成式艺术，米尔科娃挑战了对现实的传统认知，邀请观众重新审视他们对自然世界的理解。《潮汐回声》颂扬了自然的复杂性，提供了一种超越传统界限的别样视角，引导观众探索感知和体验周围世界的新方式。

Through generative art , Milkorva challenges traditional perceptions of reality , inviting audiences to reconsider their understanding of the natural world . Celebrating the complexities of nature . Tidal Echoes offers an alternative perspective that transcends conventional boundaries , inviting viewers to explore new ways of perception and experiencing the world around us .

Critically Extant

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孔雀狼蛛

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赫蒂鮈

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欧洲鳗鲡

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伞兰

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牛顿式伯劳

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塞里戈池蛙

“极度濒危现存”是一个通过可以搜索到的数据来体现对濒危物种知之甚少，并试图寻找方法来拯救他们的生成艺术装置。

"Critically Extant" is a generative art installation that reveals our limited knowledge of endangered species through searchable data and attempts to find ways to save them.

为实现这一目标，研究人员利用数百万张自然开源图像以及约一万个物种的数据对人工智能算法进行训练。随后，所生成的模型被用于创作那些极度濒危的动物，但在网络上，尤其是社交媒体上几乎没有相关信息的物种的视觉呈现。该项目的目标不仅是探寻我们知识的边界，还在于探索如何在数字领域建立对自然世界有益的反馈循环。

To achieve this goal, researchers trained artificial intelligence algorithms using millions of open - source images of nature and data of approximately ten thousand species. Subsequently, the generated models were used to create visual representations of species that are critically endangered yet have little or no information available online, especially on social media. The goal of this project is not only to explore the boundaries of our knowledge but also to investigate how to establish a feedback loop beneficial to the natural world in the digital realm.

这个项目以 Instagram 展览的形式启动，以此提高人们对所展示物种的认知，并有可能促使人们参与到相关保护行动中。自然而然地，由于我们所能获取的数据仅占目前估计已知物种实际数量的一小部分，该系列作品所展示的动态标本，与它们本应描绘的物种，有的存在一些相似之处，有的相似之处很少，甚至毫无相似之处。这体现了ai创作所带来的无法完全还原图像的问题，但这也应成为我们行动的理由：因为我们都可以在现实和数字层面进行创作和贡献，从而积极努力形成新的反馈循环，助力将极度濒危物种带入我们的日常生活，进而找到保护它们的方法。

This project was launched in the form of an Instagram exhibition to increase people's awareness of the showcased species and potentially encourage their participation in relevant conservation actions. Naturally, since the data we can obtain only accounts for a small portion of the currently estimated actual number of known species, the dynamic specimens presented in this series of works may bear some resemblance, little resemblance, or even no resemblance at all to the species they are supposed to depict. This reflects the problem in AI - generated creations that it's impossible to fully restore the images. However, this should also be the reason for us to take action: because we can all create and contribute both in the real world and in the digital realm, and thus actively strive to form new feedback loops, helping to bring critically endangered species into our daily lives and further find ways to protect them.

For You i Will Be an Island

对于项目《为你，我愿成为一座孤岛》，作者表示：“我将人工智能作为一种实验工具，结合我童年关于成长地长江的记忆，创作了一系列动画影像，想象我的家乡未来可能的模样。人工智能对未来的呈现似乎并不乐观，它反复描绘我的家乡被水淹没或被汹涌波涛摧毁的场景，仿佛大自然在夺回我们习以为常所占用的一切。

Regarding the project "For You I Will Be an Island", the author said, "I used AI as an experimental tool, combined with my childhood memories of the Yangtze River, where I grew up, to create a series of animated visuals imagining what my hometown might look like in the future. AI's vision of the future doesn't seem optimistic. It repeatedly depicts my hometown being submerged in water or destroyed by rough waves, as if nature is reclaiming what we have taken for granted.

然而，这是对迈向更可持续未来的一种行动呼吁，也引发了关于我们对自然集体责任的探讨。项目标题《为你，我愿成为一座孤岛》蕴含着母亲般的滋养本质。我衷心希望母亲河能永远与我们同在，无论未来如何，都为她的人类子女，也为其他物种提供一座安全的孤岛，让大家得以生存”。

However, this serves as a call to action for a more sustainable future and sparks discussions about our collective responsibility towards nature. The title of the project, "For You I Will Be an Island", embodies a motherly nurturing essence. I sincerely hope that the Mother River will always be with us. No matter what the future holds, it can provide a safe haven for both her human offspring and other species, enabling all to survive.

Infinite・Images

摄影诞生之初，其是否能被视为艺术引发了激烈争论。写意派摄影师通过扭曲相机客观记录世界的功能，进行场景摆拍和效果试验，创作出主观且富有表现力的作品，以此挖掘相机的艺术潜力。此后，相机迅速融入艺术创作流程，基于传感器的成像技术也在艺术和工业领域广泛应用。

When photography was first born, there was intense debate over whether it could be regarded as art. Pictorialist photographers explored the artistic potential of the camera by distorting its function of objectively documenting the world. They staged scenes and experimented with effects to create subjective and expressive works. Subsequently, cameras were rapidly integrated into the artistic creation process, and sensor - based imaging technology was also widely applied in both the artistic and industrial fields.

▲Holly Herndon & Mathew Dryhurst (DALL・E 1 测试图片)

▲Holly Herndon & Mathew Dryhurst (DALL・E 1 测试叙事)

当下的人工智能成像与之有着相似的发展轨迹。在机器学习成像领域，前期的重点是通过精准反映训练素材来让这一媒介获得认可，如今这一问题已解决，为创作表达奠定基础。像 DALL・E 这样基于提示词的系统，让创作AI辅助的主观艺术变得简单，未来几十年，这类技术预计会深度融入艺术和工业实践。

Artificial intelligence - based imaging today follows a similar development trajectory. In the field of machine - learning - based imaging, the initial focus was on gaining recognition for this medium by accurately reflecting the training materials. Now that this issue has been resolved, it has laid the foundation for creative expression. Prompt - based systems like DALL·E have simplified the creation of AI - assisted subjective art. In the coming decades, such technologies are expected to be deeply integrated into artistic and industrial practices.

▲Charles Guilloux - L'allée d'eau (1895)

▲Charles Guilloux-L’alée d’eau (由 Holly Herndon & Mathew Dryhurst 用 DALL・E 扩展)

目前，关于基于提示词的 AI 成像能否被定义为艺术，争议不断。但如同摄影的发展历程，随着工具的普及，这场争论终将成为历史。创作艺术作品变得愈发容易，可赋予作品独特性和意义却更具挑战，伟大的艺术往往存在于尚未被探索的领域。

At present, there is an ongoing controversy over whether prompt - based AI imaging can be defined as art. However, similar to the development of photography, as these tools become more widespread, this debate will eventually become a thing of the past. While creating artworks has become increasingly easy, endowing works with uniqueness and meaning poses an even greater challenge. Great art often lies in the areas that have yet to be explored.

Once Upon a Garden

曾经的花园最终为记录全球生物多样性丧失做出了更加公平的努力。它还展示了人工智能的另一种用途，展示了这种技术如何能够反映出我们想要记住并因此记录的东西。顺便说一句，这面镜子也向我们展示了在制造一种在我们的生活和社会中越来越有影响力的工具时，我们所遗留下来的东西。

Once Upon A Garden ultimately makes a case for more even efforts in recording biodiversity loss across the globe. It also shows an alternative use of AI that demonstrates how this technology can hold a mirror to what we care to remember and therefore record. Incidentally, this mirror also shows us what gets left behind in the making of an increasingly more influential tool in our lives and societies.

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随AI技术进步所生成图像的变化

然而，其广泛应用也暴露出人类数据在收集、存储和保存的方式与地点上存在巨大漏洞：人工智能的优劣完全取决于其训练数据的质量。尽管如此，人工智能对于非西方的理念、背景、人群和环境的信息掌握程度，仍存在明显的不均衡。如今，无论是在使用基于语言还是图像的生成式人工智能工具时，常见的刻板印象和错误表述频繁出现，这便是明证。

There is no longer any doubt about the transformative potential of AI. Yet, its proliferation has also uncovered gaping holes in how and where data about humanity is collected, stored, and preserved. AI is only ever as good as the data it’s trained on. Still, there seems to be a clear unevenness in how much information AI has about non-Western ideas, contexts, people, and environments. This is evident in how common stereotypes and hallucinations are when interrogating generative AI tools today, be it language or image based.

▲AI生成具有一定失真性

《花园往事》的每一章都以相同的基础数据开篇：国际自然保护联盟所分类的西非萨赫勒地区灭绝及极度濒危植物的记录。这包括来自互联网的照片记录（这类记录通常稀缺）、实体档案（国家档案馆、家庭相册、期刊等）中的照片记录、植物标本馆记录、百科全书记录以及学术记录。从这些记录中，我们识别出各个物种，并附上关于该物种的所有可用信息（文字和图像）。

Each chapter of Once Upon A Garden starts with the same foundational data: records of extinct and critically endangered flora from the Sahel region of West Africa, as classified by the International Union for Conservation of Nature. This means photographic records from the internet (seldom available), photographic records from physical archives (national archives, family photo books, journals, etc.), herbarium records, encyclopaedic records, and academic records. From these records, individual species are identified and tagged with all available information about it (texts and images).

Tech for Democracy

“科技促进民主” 艺术作品以人类对民主与科技未来的表达为数据集训练，是对未来乌托邦和反乌托邦的畅想。

The "Tech for Democracy" art piece is trained on a dataset of human expressions regarding the future of democracy and technology. It is a visionary speculation about the utopias and dystopias of the future.

它运用 AI 和机器学习算法，突破想象局限。30 米长的沉浸式装置在联合国城中心首展，给观众直观视听体验。其核心是反思人类让技术发展决定对未来的想象这一现象。除实体展示，观众还能在线与 AI 互动，添加自己对未来的设想，丰富算法的未来预测，推动作品发展。

It utilizes AI and machine - learning algorithms to break through the limitations of imagination. The 30 - meter - long immersive installation premiered at the center of the UN City, providing the audience with a visceral audio - visual experience. At its core, it reflects on the phenomenon that humans allow technological development to determine their imagination of the future. Besides the physical display, the audience can also interact with the AI online, adding their own visions of the future to enrich the algorithm's future predictions and promote the development of the work.

Auntieverse

“阿姨文化” 是深深扎根于我成长的日常生活中的一个主题。“阿姨” 这个称呼使用广泛且含义明晰 —— 它指家族中的年长女性，但也有更宽泛的用法，而且往往含贬义。当某人上了年纪，就会被称作阿姨。要是她们爱唠叨，也会被叫做阿姨。审美过时、老派？那就是 “阿姨审美”。甚至连坚守传统的人都可能被贴上阿姨的标签。

Auntie culture is a theme deeply rooted in everyday life where I grew up. The term "auntie" is widely used and understood—it refers to elder women in your family, but it’s also applied in broader, often less flattering ways. When someone is ageing, they’re called auntie. If they nag, they’re called auntie. Outdated, old-fashioned taste? That’s "auntie taste." Even someone who adheres to tradition might be labelled an auntie.

尽管这个词经常被使用，但很少被探讨或讨论，甚至常常伴随着一些中伤的含义。艺术家Niceaunties 希望以超现实主义的方式向「阿姨文化」致敬，彰显“阿姨”的内在含义。

Despite the frequent use of this term, it is rarely explored or discussed, and it often comes with some derogatory connotations. The artist Niceaunties hopes to pay tribute to "auntie culture" in a surreal way and highlight the inherent meaning of "auntie".

她们的创作灵感来自互相关怀及家庭的女性精神。从装饰着寿司腿的汽车到装满拉面的热水浴缸，Niceaunties 分享了一场融合了人工智能和想象力的视觉盛宴，用敬畏和敬畏来庆祝这个古怪、充满活力的阿姨世界。

Their creative inspiration comes from the female spirit of mutual care and family. From cars adorned with sushi - like legs to hot tubs filled with ramen, Niceaunties share a visual feast that combines artificial intelligence and imagination, celebrating this quirky and vibrant world of aunties with admiration and awe.

Cognitive Behaviour

抑郁、焦虑和其他心理健康问题在信息时代迅速发展，与我们的日常生活密切相关，Alice Gordon试图用人工智能的方式将这些问题融入至作品中，唤起人们对心理健康的关注。

Depression, anxiety, and other mental health issues have been rapidly developing in the information age and are closely related to our daily lives. Alice Gordon attempts to integrate these issues into her works through the use of artificial intelligence, aiming to arouse people's attention to mental health.

内向

展现你真实的一面

要有竞争力

与同学合作

每天锻炼

早起

找到内心的平静

拥抱家庭烹饪

“认知行为” 令艺术家得以一窥她对人类心理状态的解读，并将其与她的个人治疗疗程联系起来。艺术家的创作过程融合了实验和自发性，从概念或情感文本转化为荒谬的视觉叙事开始。

"Cognitive Behavior" allows the artist a glimpse into her interpretation of the human psychological state, connecting it to her personal therapy sessions. The artist's creative process combines experimentation and spontaneity, beginning with the transformation of a conceptual or emotional text into an absurd visual narrative.

这种反复迭代的方式揭示了人类心理出人意料的层面，旨在以反映新一代心理的方式，传达焦虑、不安全感、紧张、疏离感和精神疲劳。艺术家自己的风格称为 “荒诞超现实孤独主义”，因为她认为其关键在于荒诞的寂静之中。

This iterative approach reveals unexpected aspects of the human psyche. It aims to convey anxiety, insecurity, tension, alienation, and mental fatigue in a way that reflects the psychology of the new generation. The artist refers to her own style as "absurdist surreal lonerism", because she believes its essence lies in the absurd stillness.

Cyberdelia

赛博迪利亚是在斯波罗波尔中心的一个艺术家驻地期间构思的，目的是探索人工智能的创造潜力。

Cyberdelia was conceived during an artist residency at the Sporobole center to explore the creative potential of artificial intelligence.

该装置艺术由 22 段视频组成，搭配罗杰・泰利耶 - 克雷格与人工智能共同创作的音景，还有 22 张受塔罗大牌启发的卡片。参观者可抽取一张卡片放在读卡器上，借此向神谕咨询，触发相应视频的播放。这种互动为提出的问题提供了新视角，在与未知的对话中融合了偶然性与意向性。

The installation consists of 22 videos accompanied by soundscapes co-composed with AI by Roger Tellier-Craig, as well as 22 cards inspired by the major arcana of the tarot. Visitors are invited to consult the oracle by selecting a card and placing it on a reader, triggering the projection of the corresponding video. This interaction offers a new perspective on the posed question, blending chance and intention in a dialogue with the unknown.

该项目审视了我们与人工智能的关系，以及人工智能反映人类心理投射的能力。它的标题唤起了一种由人机交互塑造的精神图景，同时向 20 世纪 80 - 90 年代的赛博文化致敬，那个时期科技被视为超越空间、时间和物质性的手段。通过在保留艺术家美学的同时融入人工智能产生的不可预测的变化，这件作品展现出既崇高又令人不安的景象，反映了人类世印记下的未来。《赛博迷幻》试图通过编织技术与自然、个人命运与集体体验之间的联系，重新赋予现实以魅力。

The project examines our relationship with AI and its ability to reflect human psychological projections. Its title evokes a mental landscape shaped by the interaction between humans and machines while paying homage to the cyberculture of the 1980s-1990s, a period when technology was envisioned as a means to transcend space, time, and materiality. By integrating the unpredictable transformations generated by AI while preserving the artist’s aesthetic, the work reveals visions that are both sublime and unsettling, reflecting an Anthropocene-marked future. Cyberdelia seeks to re-enchant reality by weaving connections between technology and nature, individual destiny and collective experience.

Portal

《Portal（传送门）》带领人们窥探一个如梦似幻的世界，这个世界由一种集体幻想引导，以不断变化的图像呈现。在算法创作的蜿蜒进程中，观察者在其探索之旅中扮演着积极角色。他们指挥、引导并质疑算法，在生物思维与机械思维之间共舞，在这场舞蹈中，不同形式的智能相互回应、共同成长。凭借这件作品，Obvious 以人文主义的方式，将参观者置于创作过程的核心。然而，这件装置艺术的目的是就人类与技术力量的关系以及随之而来的对技术的依赖提出疑问：“昨天是信息，今天是智能，明天会是创造力吗”？

Portal gives a look into a dreamlike world,guided by a collective fantasy that takes the shape of a continuously moving representation.In the meandering of algorithmic creation,the observer plays an active role in theirjourney.They direct,guide and question the algorithms,in a dance between biological mind and mechanical mind,where these different intelligence forms answer each other and grow together.With this work,Obvious, in a humanist approach,places the visitor at the heart of the creation process.The aim of this installation isnonetheless to raise questions on the human relationship to the power of technology and the ensuingdependency on it.Yesterday information,today intelligence,and tomorrow creativity?

The Convergence of Breath

《呼吸的汇聚》是由神经网络生成的作品。其作者agoria表示，身处人工智能行动峰会会场，技术、创造力和愿景汇聚在一起，这是一个意义深远的时刻。人工智能不仅仅是一种工具，它反映了我们的人性、我们的恐惧和我们的希望。感谢让这一切成为可能的每一个人。艺术和人工智能之间的对话才刚刚开始，他期望着未来的场景。

"The Convergence of Breaths" is a work generated by a neural network. Its creator, Agoria, said that being at the Artificial Intelligence Action Summit, where technology, creativity, and vision converge, is a moment of profound significance. Artificial intelligence is not just a tool; it reflects our humanity, our fears, and our hopes. He expresses gratitude to everyone who has made this possible. The dialogue between art and artificial intelligence has just begun, and he looks forward to the future scenarios.

"O"

《O》是一件人工智能视频装置艺术作品，作为通过努马宇宙（Numaverse）项目对潜意识意象多年研究的一部分而创作。这件获奖作品探究潜意识意象及其与现实生活事件、治愈、创造力、同步性等的联系。

"O" is an AI video installation artwork, created as part of a multi - year study on subconscious imagery through the Numaverse project. This award - winning work explores subconscious imagery and its connections with real - life events, healing, creativity, synchronicity, and more.

《O》的主题源自古代传统和现代科学研究，将永恒的智慧与当代认知相连接。该装置由四个视频组成，在呈环形排列的大型弧形屏幕上展示，分别代表着清醒阶段、梦境阶段（日常影响）、梦境阶段（原型、神话和象征意义）、深度睡眠（集体意识和虚无）。

The theme of "O" is derived from ancient traditions and modern scientific research, bridging timeless wisdom with contemporary understanding. The installation consists of four videos displayed on large curved screens arranged in a circular formation, representing the waking stage, the dream stage (influenced by daily life), the dream stage (archetypes, myths, and symbolism), and deep sleep (collective consciousness and nothingness) respectively.

艺术家邀请观众站在圆形屏幕布局的中心，以更高的意识 “见证” 所有四个阶段ーー一种体现超越和启迪的行为。

The artist invites the audience to stand at the center of the circular arrangement of screens to “witness” all four stages with heightened awareness—an act embodying transcendence and enlightenment.

Machine Hallucinations - LNM: Coral

《机器幻觉 ——LNM：珊瑚》呈现了海量珊瑚图像的迷幻视觉效果。这件数据雕塑的灵感源自海洋生态系统以及珊瑚礁岌岌可危的现状。它以约一亿张珊瑚图像作为基础数据集，凸显了保护珊瑚并确保其可持续性的必要性。通过这一创作，阿纳多尔试图模拟海洋栖息地，从而唤起人们对环境危机的关注。

Machine Hallucinations - LNM: Coral offers hypnotic visualizations of a vast collection of images of corals. This data sculpture was inspired by marine ecosystems and the critical state of the coral reefs. Using some 100 million images of corals as the baseline dataset, it highlights the need to preserve corals and ensure their sustainability. Through this initiative, Anadol seeks to shine a light on the environmental emergencies by simulating an oceanic habitat.

结语

Conclusion

本次人工智能峰会由多米尼克·穆隆策展，他希望借助人工智能，可以将艺术的创造性完全交给想象力——不受任何技术的局限——这是由人工智能所带来的。

This Artificial Intelligence Summit is curated by Dominique Moulon. He hopes that with the help of artificial intelligence, the creativity of art can be completely given over to the imagination — unconstrained by any technology — which is made possible by artificial intelligence.

这点不仅从多米尼克参与的其他展览中可以看出，譬如Nano Particles Genesis，展览期望人工智能能对磁性纳米粒子研究做出启发性思考；还有Ikigai Labs的线上展览，通过整合前沿技术与直观界面，利用 AI 智能体辅助各方工作，创新策展、助力动态收藏，以 TRACE 系统保障作品真伪，推动艺术与数字身份的协同发展；亦或者在“CDSA国际媒体艺术创意大赛”中，ai能够为打破现实与虚拟间的屏幕的方式做出启发性思考等等...

This can be seen not only from other exhibitions Dominique has been involved in. For example, in "Nano Particles Genesis", the exhibition hopes that artificial intelligence can provide inspiring insights into the research of magnetic nanoparticles. There is also the online exhibition of Ikigai Labs. By integrating cutting - edge technologies with an intuitive interface, it uses AI agents to assist various parties in their work, innovates curation, facilitates dynamic collections, ensures the authenticity of works through the TRACE system, and promotes the collaborative development of art and digital identity. Or in the "CDSA International Media Art Creative Competition", AI can offer inspiring ideas on ways to break through the screen between the real and the virtual, and so on...

本次展览所呈现的作品亦或多或少的体现出了这一点——艺术家们开始常识性的利用人工智能去解决一些社会问题，或者试图将其与人类本身联系起来，这正是本届人工智能峰会所期望的：反思ai发展现状，为ai艺术发展提供平台，并试图推动其朝着造福人类的方向发展。

The works presented in this exhibition also, to some extent, reflect this. Artists are beginning to tentatively use artificial intelligence to solve some social problems or attempt to connect it with humanity itself. This is exactly what this Artificial Intelligence Summit hopes for: to reflect on the current development of AI, provide a platform for the development of AI art, and try to promote its development in a direction that benefits humanity.