手表，作为一种产生于工业文明初期的产品，在人类进入信息化时代后，形成了两大发展路径，一条路径是数字化信息化的路径：智能表，越来越多与计时有关或无关，但与当下生活密切相关的功能被集成到智能表上，形成了一种强大的功能性产品；另一条路径则是在“技术——功能”的维度之上，发展成表达审美和意义的符号，在功能层面仍然聚焦于计时，在审美和意义层面更加丰富多彩；飞亚达的发展路径属于后者，我们聚焦航空航天，一方面通过与航空航天的紧密合作，不断提升我们专业计时的精确性和稳定性，另一方面，航空航天也给了我们一个更大的时空尺度去思考时间和生命的意义，本次飞亚达与同济的“时间可视化”项目，“虚实之间”和“时间之外”两个主题的作品，让我看到了年轻一代对于时间与空间、虚拟与现实、当下与未来等问题不一样的思考，基于科幻小说《三体》宇宙观的几个作品让我印象深刻，“无限宇宙号”表现的微观粒子多维展开，呈现的是一种不断变幻的开放式结构，“逆构银河：壳”对使用二向箔进行降维打击的情节进行视觉化的呈现，以此形成的虚拟首饰也相当具有科幻感，“逆向仿生”等作品则在宇宙的尺度提出了人与世界关系的思考；从哲学的角度来看，人在宇宙里会不会是唯一具有自我意识的认识主体？中国古代哲学里的“天人合一”还具有哪些我们未曾触及的思维角度和存在的可能性？梯利希所说的“自我——世界”结构，人乃世界万物之灵，放在宇宙宏观的尺度里是否仍然成立？这些都是非常有意思的课题，也是同学们在作品中带给我们的全新视角，希望我们以后有机会一起探索这些问题的答案。

——孙磊

高维宇宙的低维展开究竟是什么样的？宏伟的引力波天线会是怎样一种存在？小说三体之中刘慈欣曾为我们虚拟出了一个十维的宇宙，以及与之相关联的奇幻震撼却又无比深刻的人类未来。三体宇宙之所以成功，是因为其中一切的虚拟想象，都不是凭空产生，而是基于对三个基本宇宙规则的假设，以及对人类社会细致的观察与深入思考，其中所有的故事情节看似天马行空，但仔细揣摩却又让人细思极恐，因其“虚幻表象背后隐藏着的巨大真实”，以及同物质世界之间的紧密联系。

今年的飞亚达-同济时间可视化课题的第一个主题，聚焦宇宙维度下的虚拟时尚物设计，通过Blender和Houdini为代表的数字工具，再现三体宇宙中的众多科幻设定和史诗场景，在畅想浩瀚宇宙与未来科技的同时，突破笛卡尔时代的身心二元，探索物质和虚幻之间相互转化与交互重构的多种方法，从哲学与科学两个维度展现中国年轻人的时空观，以及数字时代宇宙艺术的广阔前景。

——郁新安

Time visualization is a long-term design studio collaborating with China Aviation Group FIYTA Precision Technology Co., Ltd. This course is based on the tradition and culture of the watch-making industry, using artificial intelligence tools, exploring various possibilities of combining digital design with time symbols. We will help the students collect and translate data into patterns, textures, and interactive devices, and apply them to the design of watch dial, packaging, installations, and other integrated media of the time. 

Keywords: 

AI art and design, texture, fashion, fine watchmaking

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“一生万物，万物归一”，原出自古代道家关于宇宙生成论的哲学。课题项目从当红元宇宙ip《三体》出发，联想到其中智子的科幻概念——仅仅一个微观粒子，能通过多维展开，拥有智能，记录无穷信息。人类对微观粒子的认知程度决定了物理科学的高度，也许最未来的科技，始于一个微观粒子。

方案拟设计一套算法，基于初始形态的粒子，经历连结、生长、形变，生成无穷进化、无限形态的一套航天器。让一套算法、一个粒子变成“一生万物”的规则。

"All things in life, all things in one", originally came from the ancient Taoist philosophy on the generation of the universe. The project starts from the "three bodies" of danghongyuan universe IP, and is associated with the science fiction concept of Zhizi - only a micro particle, which can be expanded through multiple dimensions, has intelligence, and records infinite information. The level of human cognition of micro particles determines the height of physical science. Perhaps the most future technology begins with a micro particle. The scheme plans to design a set of algorithms, based on the initial shape of particles, through connection, growth, deformation, to generate a set of spacecraft with infinite evolution and infinite shape. Let a set of algorithms and a particle become the rules of "everything in life".

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“逆构银河”是以《三体》中的二向箔为出发点，设想某个高等文明将二维化的银河系制作为装饰物的虚拟首饰作品，“壳”是本次设计的三款作品。“逆构”指去掉被误认为的后缀构成新词，高等文明将银河系二维化，去掉了文明的存在，反而促成了拥有具身性和“人性”的饰品，而在饰品悬浮式、穿插式的非传统穿戴方式中也蕴含人类宗教的既视感，其中动机与结果的冲突颇具戏剧性。贝壳是软体动物用以保护自己的生命的措施，却被人类以赏玩为由随意拾起，对更高等的生命来说银河又何尝不是贝壳？二维化的银河系就像潮落后留下的贝壳一样，人类在宇宙中诞生又消亡，留下的文明遗迹就成为了祂们的饰品。

Galaxy Back-formation is a series of virtual accessories inspired by the ‘Dual Vector Foil’ from Three Body.These accessories, called ‘Shell on the Shore’, are created by some advanced civilization who has collected the 2-dimensional galaxy. ‘Back-formation’ refers to removing the misunderstood suffix to form a new word. The advanced civilization has made the galaxy 2-dimensional,removing the existence of civilization, and instead promoting the accessories with embodiment and ‘humanity’. The levitating and interspersing way of wearing is quite non-traditional, and the style also contains ‘déjà-vu’ of human religion, in which the conflict between motivation and result is quite dramatic. Shells are a measure used by mollusks to protect their own lives, but they are picked up by humans for enjoyment. For higher life, the 2-dimensional galaxy is like the shells leftbehind after the tide. Human beings rise and fall in the universe, and the relic of civilizationbecomes their ornaments.

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火箭在倒计时和“点火“声中被点燃，缓缓上天的场景，是许多人最深刻的航天记忆，其身后留下的团团烟云宛如航天器与地球大地最后的联系，一点点消散后它也到达了宇宙的另一站。

火箭花射以数字生长手段为媒介，将喷射的这一刻进行艺术化再现。喷出的火焰和蒸汽替代为类似真菌和植物的有机生长，数字化的手段让生长出的生物可以基于不同的参数输入呈现不同的生长形态，每个人都可以创造自己的喷射生物。在虚拟世界里，火箭发射不仅仅是壮观的，也是浪漫的，喷射烟雾不再是逐渐消失的痕迹而是留存的生命。

The scene that the rocket was ignited in the countdown and "ignition" sound, and slowly ascended to the sky, is the most profound space memory of many people. The clouds left behind are like the last link between the spacecraft and the earth. After dissipation, the rocket also reached another station in the universe.

Rocket Bloom akes the digital growth means as the medium to reproduce the moment of launching artistically. The ejected flame and steam are replaced by organic growth similar to fungi and plants. Digital means enable the growing organisms to present different growth forms based on different parameter inputs, and everyone can create their own ejected organisms. In the virtual world, the rocket launch is not only spectacular, but also romantic. The jet smoke is no longer a trace of disappearing, but a bloom of life.

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逆向仿生·生物航天器意在探索一种生物与人类航天文明产物以及人类的新型共存方式——逆向仿生。人类文明在发展过程中，无数次借鉴了自然界生物的生存方式，模仿各种生物的生存或捕食技能来达到“极限速度”“极限重量”“极限柔韧”等。随着新太空时代的来临，人类的地球公民身份会得到进一步升级，变成太阳系公民，甚至未来会成为银河系公民。当人类身份不断变化，人类文明发展也会对自然界产生巨大影响。这些生物在面对高度发展的人类文明，是否也在学习模仿，竞争协同进化？在“逆向仿生”人类文明？Jellyfiship即是猜想水母在远未来与人类航天文明产物的融合与交织。

Reverse Bionics· Jellyfiship is intended to explore a new coexistence method of biological and human space civilization products and human beings ——  reverse bionics. In the process of development,human civilization has borrowed countless times from the survival methods of natural creatures,imitating the survival or predation skills of various creatures to achieve "limitspeed", "limit weight" and "limit flexibility". With the advent of the new spaceage, human's earth citizenship will be further upgraded, becoming a citizenof the solar system, and even a citizen of the galaxy in the future. When human identity is constantly changing, the development of human civilization will also have a huge impact on the natural world. Are these creatures also learning to imitate and compete forco-evolution in the face of highly developed human civilization? Imitating human civilization? Jellyfiship is to conjecture the fusion and interweaving of jellyfish with the products of human spaceflight civilization in the far future.

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在令人振奋的声音中，中国航天在一代代航天人的辛苦耕耘中不断战胜困难取得了一个又一个成功。

在这一次又一次的伟大任务中，我发现正是有着独特的锚点作为关键标记标记才让每一刻发生的事件被赋予了多一个维度的意义。正在发生的事件与各式各样的声音搭配在一起，就是自然这个艺术家创作的最美好的艺术品。

我创作的这个虚拟数字影像通过将中国航天人在探索深空的各种声音数字化；用最新的创作手段将声音与火箭尾焰相关联，将抽象的努力具象为具有推力的尾焰，重新阐述中国声音改变宇宙的每一个时刻。

In the exciting voice, China Aerospace has continuously overcome difficulties and achieved successes one after another in the hard work of generations of astronauts.In this great mission after another, I have discovered that it is the unique anchor point as the key marker that makes the events of each moment take on an extra dimension of meaning. The events that are taking place paired with the various sounds are the most beautiful artworks created by the artist,nature. I created this virtual digital image by digitizing the various sounds of Chinese astronauts exploring deep space; using the latest creative means to associate the sound with the rocket tail flame, and re-explain the abstracteffort as a propulsive tail flame. Chinese voices change every moment of the universe.

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航天遗留物是基于探索是否未来会存在新的航天太空碎片的回收和利用方式、是否宇宙环境和人类活动会导致航天太空碎片产生新的变化所进行的数字虚拟物系列设计。作品通过数字技术来模拟未来太空碎片的演化并制成模型，来引发观众对于太空碎片回收、演化的思考。

Space remnants is a series of digital virtual objects designed to explorewhether there will be new ways of recovery and utilization of space debris inthe future and whether the cosmic environment and human activities will leadto new changes in space debris.The work simulates the evolution of space debris in the future and makes amodel through digital technology to arouse the audience's thinking about therecovery and evolution of space debris.

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在未来，人们不仅找到了地外文明的存在，还能与之进行交流和来访，引力波成为了如同hello, world一样的最初级最有效的与地外文明进行沟通的交流媒介，通过天线发射引力波，去传递人类的友好的信号。

本设计中，将河图洛书作为中国故事，以中国古代的阴阳作为二进制方式，设计出引力波天线以及全方位传播的引力波粒子信号，引力波通过天线中的引力波核心（简并态物质）产生振动，从而产生引力波，与地外文明针对共同熟知的宇宙分享古人对于宇宙星象的记录与思考。

In the future, people will not only find the existence of extraterrestrial civilization, but also communicate and even visit with them. Gravitational waves have become the easiest and most effective communication medium for communicating with extraterrestrial civilizations like “Hello, world!”, the first step in code learning, and gravitational waves are emitted through antennas to transmit the friendly signal of human beings.

In this design, the Hetu Luoshu is chosen as one of Chinese stories, and the ancient Chinese yin and yang are used as a binary method to deliver the message. I designed a gravitational wave antenna and a gravitational wave particle signal that propagates in all directions. The gravitational wave passes through the gravitational wave core (degenerate matter) in the antenna when the core generates vibrations, thus sharing the records and thoughts of the ancients on cosmic astrology with extraterrestrial civilizations for the well-known universe.

导师：

郁新安、孙磊、张周捷、张屹南、郭思凡

技术美术:

谭丞超 周超

学生：

田沁锋、张钰晴、程瑶、赫然、王芮琪、张慕财、赵心悦、陈河润、陈星珲、冯泗衡、顾天润、张晴钰、钟以恒、田谷源

编辑与版式：

钟以恒

Tutors: 

Yu Xin'an, Sun Lei, Zhang ZhouJie, Zhang Yinan, Guo sifan

TA:

Tan Chenchao、Zhou Chao

Students: 

Tian Qinfeng, Zhang Yuqing, Cheng Yao, Heran, Wang Ruiqi, Zhang Mucai, Zhao Xinyue, Chen Herun, Chen Xinghui, Feng Siheng, Gu Tianrun, Zhang Qingyu, Zhong Yiheng, Tian Guyuan

Graphic design：

Zhong Yiheng