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- 用计算机创作:从Flash到神经网络的生成艺术工具
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原创 2021-08-24

凯西·瑞斯《显微图像》A-03,2002 年,颜料印刷,尺寸:11×14 英寸
贾里德·塔贝尔《交叉集合》,2004 年(图片来源:http://www.complexification.net/gallery/machines/interAggregate/)——译者注
凯西·瑞斯《静物》(RGB-AV A),2016 年,计算机软件,扬声器和投影仪,尺寸可变
马里奥·克林格曼:《路人的回忆1》,2018 年,控制台,计算机和两台显示器
马里奥·克林格曼《分形机器》,2001 年, 交互网站
海伦娜·萨林的喷墨印刷作品,2019 年
海伦娜·萨林的对抗性培养皿,潜在生物多样性系列,2019 年,数字图像
History of Computer Art, London, Bloomsbury, 2014, p. 7.
[2] John Canaday,“ Less Art, More Computer, Please,” New York Times, Aug. 30, 1970, p.
87, quoted in Taylor, p. 6.
[3] These include“ Artists & Robots,” at the Grand Palais, Paris, Apr. 5–July 9, 2018;
“Chance and Control: Art in the Age of Computers” at the Victoria and Albert Museum,
London, July 7–Nov. 18, 2018;“ Programmed: Rules, Codes, and Choreographies in Art,
1965–2018,” at the Whitney Museum
of American Art, Sept. 28, 2018–Apr. 14, 2019;“ Coding the World” at the Centre
Pompidou, Paris, June 14–Aug. 27, 2019; and“ Face Values: Exploring Ar tif icial
Intelligence” at the Cooper-Hewitt Museum, New York, through May 17, 2020.
[4] Rafia Shaikh“, Get Ready to Say Farewell to Flash Player as Adobe Has Finally Decided
to Pull the Plug,” wccftech, July 25, 2017, wccftech.com.
[5] The growth rate is estimated by Martin Hilbert, who describes his method in“ How
much information is there in the‘ information society’?,” a blog post for the Royal
Statistical Society, rss.onlinelibrary.wiley.com.
[6] Ian Goodfellow, Jean Pouget-Abadie, Mehdi Mirza, Bing Xu, David Warde-Farley,
Sherjil Ozair, Aaron Courville, Yoshua Bengio,“ Generative Adversarial Nets,” June 10, 2014, arxiv.org.
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